The author of this book is both an economist and a painter/photographer, and thus highly qualified to write on this subject. His main argument is that art is quasi-sacred, and for that reason both its practitioners and its consumers are loath to think that it is "about" commerce or commodity exchanges. Most money that flows to the arts does so in the form of gifts (not just grants and donations, but family support and even individual artists subsidizing their own art with funds from a day job). Even outright sales are disguised to resemble gifts. The only learned profession with lower incomes than the arts is the clergy, who operate on similar lines, for similar reasons. Artists who make a lot of money become suspect in the eyes of peers and critics... For more read Andrew Stiller's review on Amazon. Have not read it but might. |
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